The Yoko Situation
Teddy Midnight poster. A human hand and a metallic hand reach towards each other, entwined with rainbow ribbons and surrounded by colourful stars on a black background. Text reads: “Teddy Midnight. A play from the perspective of a so-called manic pixie dream girl.”

Teddy Midnight

2022 · PLAY
A play from the perspective of a so-called manic pixie dream girl.

Ted is a shy boy with a record collection. Dylan is the artist he’s always hoped would turn up and make his life more interesting. She loves being looked at as though she’s extraordinary, and his apparent stability has its attractions too. But when Dylan’s mental health deteriorates, she struggles to keep being the person they both want her to be.

Teddy Midnight follows the love story past the point where the romantic comedy usually ends. Dylan hasn’t recognised her neurodivergence yet, and her bisexuality remains largely unexplored. Being somebody’s dream girl is, for a while, easier than working herself out. Ted would be quite happy for it to stay that way.

Teddy Midnight was developed during a week-long R&D residency at Exeter Phoenix in October 2022 as part of Exeter Fringe Festival, culminating in a rehearsed reading.

BEHIND THE SCENES

Behind the scenes of Teddy Midnight, photographed on film. Three people in their 20s sit around a small table covered with notebooks, script pages and drinks in a bright rehearsal room. One with vivid pink hair writes notes, another with long blonde hair smiles while looking down, and a third with a shaved head holds loose script pages and is in the middle of explaining something.
The Teddy Midnight team, people in their early 20s, photographed on film. Six people smile at the camera among rows of red theatre seats, three seated at the front and three leaning in behind them. They wear colourful casual clothes, including dungarees, patterned shirts and a red hoodie.
A Teddy Midnight rehearsal, photographed on film. A performer with long brown hair tied in a ponytail wears a bright red hoodie, holding script pages and gesturing with their free hand as they speak.

CREDITS

Dylan Georgina McKay
Ted Ethan McLucas

Writer/director Penn Bálint
Assistant directed by August Jane
Associate directed by Joseph Leyland